The Politics of Aesthetics Revisited
An immense change in American life occurred between roughly 1980 and present: a shift from life within a thriving civilization to life under a managed decline. This shift is the end result of laissez-faire economic and immigration policy, as well as catastrophic foreign policy entanglements instituted by elected politicians who represented themselves in one way, but were actually only loyal to moneyed, private interests. Or perhaps we should be more nuanced– admit that rapid technological innovation and other nebulous social and cultural forces played their role, and demonize the politicians not for causing the decline, but for not doing enough to ameliorate it. Regardless of where and how one places the blame: the decline is here, and it is ugly. Its effect is obvious to anyone who has traveled through flyover country: the spiritual and economic gutting of the American middle and working classes, the preclusion of any hopeful vision of the future for anyone but the internationalist elite and those in their favor.
The thrust of the above argument can likely be appreciated by any serious-minded Trump voter, and I suspect it summarizes the solitary thread of agreement uniting the deeply divided, big-tent, “Dissident Right” movement. Right-wing pundits like Steve Bannon and Tucker Carlson have discussed this shift at length in as far as it presents a political problem with potential solutions in the realm of electoral politics, and the denizens of the online right have approached in metapolitically, drawing a range of metapolitical conclusions.
The issue is also one of aesthetics, and a study of the decline in American life can be made through a study of aesthetics alone, especially through an analysis of quotidian and nostalgia-inducing curiosities and cultural artifacts. Based on these, we might understand the recent-past, and speculate upon possible or “lost” futures. This corner of the metapoltical discourse—what we might call “The Politics of Aesthetics”– has always been a primary interest of mine. In the dissident sphere, I have always associated it with Brandon Adamson’s altleft.com, and more recently it has been taken up by at least two, new outlets: The Perfume Nationalist podcast, and the output of “7-11 Nationalist” Rich Houck.
While this blog has largely been retired, it seems that questions concerning “the politics of aesthetics” are finding a new space and audience within the dissident sphere. These topics and questions were the animating force behind “AltOfCenter”, and so it feels right to update my thoughts on the matter for the tumultuous but potentially fruitful year of 2020.